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"I will not listen," she interrupts, passionately. "I know how you both looked a while ago. I shall never forget it; and to meet again now, with fresh cause for hatred in your hearts, would be——No. There is crime in the very air of to-night.",

Just now his forehead is drawn up into a deep frown, as he reads the fatal letter that has reduced his mother to a Niobe. Another young man, his brother, Captain Rodney, who is two or three years younger than he, is looking over his shoulder, while a slight, brown-haired, very aristocratic looking girl is endeavoring, in a soft, modulated voice, to convey comfort to Lady Rodney.,

"No, you won't," interrupts his brother, smiling. "Though I think the poor child has done her duty now. Let him pass. It is he should hate me, not I him.",

"He isn't!" says Geoffrey, panting "I have him at last!" Whereupon he emerges from a wilderness of ferns, drawing after him and holding up triumphantly to the light the wandering bird, that looks more dead than alive, with all its feathers drooping, and its breath coming in angry cries.

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"You are right: I see it now," says Geoffrey, whitening a little, "Warden wrote that paper, no doubt," glancing at the dirty bit of writing that has led to the discovery. "He evidently had his knowledge from old Elspeth, who must have known of this secret hiding-place from my great-grandfather. My father, I am convinced, knew nothing of it. Here, on the night of my grandfather's death, the old woman must have hidden the will, and here it has remained ever since until to-night. Yet, after all, this is mere supposition," says Geoffrey. "We are taking for granted what may prove a myth. The will may never been placed here, and he himself——",

"Oh, Mona, do you mean that?" he says. But Mona, who is very justly incensed, declines to answer him with civility.,

"Violet, play us something," says Geoffrey, who has quite entered into the spirit of the thing, and who doesn't mind his mothers "horrors" in the least, but remembers how sweet Mona used to look when going slowly and with that quaint solemn dignity of hers "through her steps.",

And by degrees, beneath her influence, Mona grows pale and distrait and in many respects unlike her old joyous self. Each cold, reproving glance and sneering word,—however carefully concealed—falls like a touch of ice upon her heart, chilling and withering her glad youth. Up to this she has led a bird's life, gay, insouciant, free and careless. Now her song seems checked, her sweetest notes are dying fast away through lack of sympathy. She is "cribbed, cabined, and confined," through no fault of her own, and grows listless and dispirited in her captivity.